We are thrilled to present an exclusive interview with the immensely talented boudoir and fine art photographer, Jose Lawrence. Known for his captivating ability to merge sensuality with artistic expression, Jose's work beautifully balances confidence and vulnerability. His latest series, The Art of Curves, is an intimate celebration of the female form, capturing the graceful allure of the model Aly in a bohemian-inspired setting. Through the interplay of light and shadow, each image tells a story of strength, sensuality, and self-empowerment.

In our conversation, Jose opens up about his journey into boudoir photography, the creative process behind his work, and the challenges and rewards of capturing such powerful imagery. We also delve into his approach to making models feel at ease, his preferred gear, and his aspirations for future projects. Join us as we explore the artistry and passion that drive Jose Lawrence’s unique vision.

"The Art of Curves" is a celebration of the natural beauty, strength, and sensuality of the female form, embodied by the stunning Aly in a bohemian-inspired setting. This series captures the interplay of light and shadow, emphasizing the curves, textures, and tones of her skin, while creating an intimate and artistic narrative. The poses are carefully curated to evoke both confidence and vulnerability, showcasing the model’s grace and power in equal measure.

1. What does boudoir photography mean to you?

Boudoir photography, to me, represents a celebration of self-expression, confidence, and intimacy. It’s an art form that allows individuals to embrace their bodies, personalities, and sensuality in a safe and empowering environment. In a world that demands for us to live a life by titles and labels it allows individuals the ability to express themselves in free form stripping those societal expectations and living our raw authentic selves.

2. Why did you choose to pursue a career as a boudoir / fine art photographer? What got you started in boudoir?

What made me choose to pursue a career in fine art photography was my passion for art growing up. I had always been a creative child, and I grew my different styles of artistic expression naturally evolved. What got me started in boudoir was a friend who had really wanted to challenge herself in recapturing who she was a woman. She felt comfortable with me and was one of my biggest supporters of my photography journey starting out to now.

3. What kind of creative process is there behind boudoir photography?

For me my creative process is first and foremost making my subject as comfortable as possible, making them confident that their opinion and ideas are valued. We work together to find out the poses that they are comfortable with as well as the type of lingerie they would like to wear of if they feel more comfortable nude. With every shoot I tap into my knowledge of sculpture and art to best capture who they are.

4. How do you communicate with a client or model you’ve just met to make them comfortable for boudoir / nude photography?

Normally for me when I approach a model, I have just met to make them comfortable with boudoir or nude photography, I normally take the time to get to know them first and their creative tastes. I never immediately start off with a boudoir or nude shoot simply because as a male photographer I do not want to convey the wrong message. I particularly shoot a fashion style first and as the model and I build a rapport eventually I may approach them with an idea and a mood board.

5. How do you educate yourself to take better photos?

To educate myself to take better photos I rely heavily on research on lighting techniques, geometry and historical art of different time periods and cultures. I also research the work of other photographers I am a big fan of.

6. How would you describe your photography style?

I would describe my boudoir photography style as classical sensuality. I shoot in a way where I attempt to capture a divine energy of my subjects. Allowing them to feel empowered as well as a sensual. I range between utilizing nudity, lace, or leather to best tell a sensual or erotic story that has the models I work with feel like deities.

7. What type of cameras do you shoot with, boudoir and/vs other?

In general, for my all-around photography I shoot with a canon R5 with a 24-105 RF lens. This combo allows me to capture the rich details of my subjects' skin as well as the background environment to tell assist in telling the story whenever I need it to.

8. What kind of other gear do you use for boudoir and/vs other?

Along with my camera and lens I utilize a single light setup in most cases with a dual head Godox AD200 for 400w of light. As well as a speaker to play a custom boudoir playlist for my model, usually a mix of The Weeknd, old school R&B and jazz.

9. Among your works, which one is your favorite? Why?

My favorite work is my first submission to Boudoir Inspiration featuring my model Jaida. It was my first major project where I had a team of individuals working together to create a gorgeous project. At first it was rather overwhelming having so many moving pieces, however I was quite pleased in how it all came together in the end.

10. What is the most difficult part of being a boudoir photographer for you?

The most difficult part of being a boudoir photographer for me is constantly striving to create a positive, inclusive and safe space for my clients and models. With so many individuals having negative experiences with photographers who take advantage I make it my mission to stand out and give them the best experience I possibly can, so they know what working with a professional is truly like.

11. What is the most rewarding part of being a boudoir photographer for you?

The most rewarding part of being a boudoir photographer for me is seeing the faces of my subjects light up when they see the final product of their shoot. It never ceases to amaze me when they see themselves in a new light and are shocked to the point where they think they are looking at a different person. I always tell them they are looking at the version of themselves that does not have the world on their shoulders, and the labels attached to them.

12. Just for fun, if you could shoot in any location, what would it be?

It has always been a dream of mine to do a photoshoot at Versailles in Paris. I have always been a fan of renaissance period in terms of art and creativity and to me that location encapsulates everything about the time.

13. Do you have any other profession or anything you are passionate about?

When I am not doing photography, I am working in the airline industry. I am passionate about traveling and learning about other cultures. I also am a poet and avid reader. I'm proud to say the having an open mind has allowed me to learn much about the world and the people in it. There is so much beauty out there and I look forward to capturing it all in my lens.